Unlike most churches, St. Basil’s is a collection of chapels - originally nine - arranged around a central sanctuary. Each chapel honors a saint or feast linked to Ivan’s campaign, with a tenth later added over the grave of St. Basil the Blessed, the holy man whose name the cathedral now bears.
To fully appreciate the beauty of this icon, we were taken round the cathedral before entering into the interior. The cathedral’s design is remarkable: each dome is unique in color and pattern, yet together they create a harmony often likened to “a bonfire rising into the sky.
Surviving fires, invasions, and even threats of demolition, the cathedral endured through centuries of upheaval. Secularized during the Soviet era, it was preserved as a museum and, since the 1990s, has once again hosted occasional Orthodox services.
Today, as part of UNESCO World Heritage Site of the Kremlin and Red Square, St. Basil’s stands not only as a masterpiece of architecture but also as a vivid symbol of Russia's cultural and spiritual identity.
Just before entering St. Basil’s Cathedral, our local guide drew our attention to the striking statue in front of the cathedral. She asked, “Did you know that Russia was once ruled by Poland?” - a surprising revelation to many of us.
She then shared the story behind the Monument to Minin and Pozharsky, which depicts Prince Dmitry Pozharsky (seated, holding a sword) and Kuzma Minin (standing, gesturing with his hand). These two men led the volunteer army that liberated Moscow from Polish-Lithuanian forces in 1612, during the turbulent period known as the Time of Troubles.
Unveiled in 1818 and designed by sculptor Ivan Martos, this was the first monumental sculpture erected in Moscow. Originally placed at the center of Red Square, it was later relocated to its current position near St. Basil’s Cathedral in the 1930s to make way for military parades.
Practical considerations also played a role. Against the backdrop of long, snowy winters and often grey landscapes, the use of bold colors made churches stand out as beacons of faith and community. The characteristic onion-shaped domes, while visually striking, also had a practical function: their curved forms prevented snow from accumulating, making them well suited to the Russian climate.
The Orthodox Church has always viewed beauty as a pathway to God, using art and architecture as a form of teaching and inspiration. The ornate, otherworldly designs are meant to stir awe, lifting the mind and heart toward the divine.
St. Basil’s Cathedral on Red Square serves as the best example to illustrate this. Its unique cluster of domes, each painted in different patterns and colors, has no true architectural parallel. It represents not only religious devotion but also Russia’s cultural imagination, blending sacred symbolism with a distinctly folkloric character.
Thus, while the Russian Orthodox faith remains conservative in doctrine, its architecture is intentionally vibrant and dreamlike. These churches embody both the seriousness of faith and the joyful beauty of heaven, standing as living testaments to the union of spirituality, culture, and artistry in Russian history.
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